Tag Archive | "Aus music"

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Roland Appel – Snow in the Spring Time


AUS0923-BOXAD1000PXRoland Appel started producing music and spinning records in the early nineties. He was a member of Fauna Flash ( together with Christian Prommer ) and the Trüby Trio (with rainer trüby + Christian Prommer ). They successfully produced 3 studio albums. In 2002 he released one album with his Peter Kruder and another with Christian Prommer – Voom:Voom .With every project he toured the world and playing clubs and festivals from Montreal Jazz Festival, Sonar Festival to Fabric London, New York, Berlin and Tokyo.
From 2004 to 2006 Roland lived in Paris, France. During this time he started to write music for his solo career which quickly gained an international following. In 2006 returning to Munich / Germany he teamed up with engineer Jan Krause to start recording once again. Whether Roland incorporates an accomplice or is at it solo, there’s hardly a dull moment in the studio or on stage. Roland Appel captivates his audience by combining the integral influences of Detroit techno, folk, disco all the way to soul and house.
One of the most in demand tracks from the ‘All Night Long’ album, ‘Snow…’ gets a full single release as a result of the huge response from disco heavyweights Horse Meat Disco, who took the time to contact us to tell us how much they love it. Old school disco in every way, certainly not ‘space’ and nothing ‘nu’ about it.. DFA darlings Runaway turn it in a slow burning house direction that builds the tension until every last drop is wrung out in a sweaty pool on the dance floor. Nice.

Minimaland Feedback: “Snow in the Spring Time” really deserved a full single release and Aus music didn’t forgget it… this is one of the most exciting tracks of the last years and this Ep marks it as a symbol of the electronic nowadays scene. The runaway remix in the b side add’s it a deeper sensation, turned up to minimal flavours, just as we like it here. Loved it!

a1. Cold Blooded
a2. Snow In Spring Time

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b1. Snow In Spring Time (Runaway Remix)

Aus#023
Release Date: 28.09.2009

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VA – Aus Music…All Night Long


Splited in two cds it came to our hands this excellent work edited by Aus music, label leaded by Will Saul & Sideshow aka Fin Greenall. Cd1 is composed by a series of new tracks produced by friends and future partners of this label, while cd2 is based on some choices by Will Saul and it’s mixed by the same.

allnightlong

So on cd1 we can find a great variety of electronic music passing by genres like house, techno, electro and dub. we will be able to listen some marking sonority’s like the case of  “Siamese cat” by Sian aka Graham Goodwin, featuring it with a ultra magnetic deep house and some noises similar to this similar race with the respective ups and downs of their life’s. “Tabular” is another tracks that marked me more on this cd1, this time over Shur-I-Kan hands, aka Tom Szirtes. Despite not being to much long, this tabular transmit us an huge feeling, really strong, excellent to listen with some pretty rays of sunshine being projected on calm river waters Lee Jones is one of the most fine producers to minimaland team, and with him comes “label” following his own past style, with great production on what concerns to its growing patterns, applying on a very structured way a vocal interlaced with the start of the beat. to end this analysis to cd1 a last word about going going going produced by MY MY (marvelous duo that has been talked a lot among the minimal/deep house musical genre. Oh, i almost forgot of heartwave by Will Saul & Tam Cooper that it doesn’t have too much to talk about but on the other hand i cant stop listening it!

willsaulbylarsborges15

On cd2 faces us a large summary of what Aus music might worth, with the excelent musical taste of Will Saul and the answer of why Lee Jones is such a trendy producer. i don’t doubt, though, and to the sound of names like my my, will saul, sian or sideshow we all would have a ny super long and funny. as we may notice most part of will saul choices has been featured by lee jones tracks and, off course, we will have to mention the huge performance on will saul’s mixing quality’s on this huge set of tracks.

Tracklist:

Disc 1
1. Sideshow feat. Cortney Tidwell – Television (All Night Long Version)
2. Roland Appel – Snow in Springtime
3. Sian – Siamese Cat
4. Shur-I-Kan – Tubular
5. Brooks – IWANCHU
6. Pearson Sound – Indelible
7. Appleblim & Ramadanman – Sous Le Sable
8. Martyn – For Lost Relatives
9. Lee Jones – Aria (Lawrence Remix)
10. MyMy – Going Going Gone
11. Lee Jones – Lab
12. Will Saul & Tam Cooper – Heartwave
13. Martyn – Electric Purring

Disc 2 ~ mixed by Will Saul
1. Will Saul & Lee Jones – Hug The Scary (Intro Edit)
2. MyMy – Butterflies & Zebras
3. Lee Jones – There Comes A Time (Prins Thomas Remix)
4. Sideshow – Philly Soundworks (Lee Jones Remix)
5. Lee Jones – Every Click Matters
6. Lee Jones – Soon (The Mole Remix)
7. Sian – Appletree
8. Lee Jones – The Secret
9. Lee Jones – Aria
10. Will Saul & Lee Jones – Hug The Scary
11. Motorcitysoul – Kazan (Exit Cube)
12. Lee Jones – Safari (Stimming Remix)
13. Sian – Wear Your Scars Like Medals (Roland Appel Remix)
14. Sideshow feat. Paul st. Hilaire – If Alone (Chateau Flight Dub Mix)
15. Motorcitysoul – Space Katzle

Samples Here

Label:Aus Music
Catalog#:AUSCD04
Release:11.05.09

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Sian – Red cloud


Biographically speaking, Graham Goodwin aka Sian is a Dublin native raised gypsy style in southern Spain. As a self confessed ‘workaholic-spaced-out-nature-junkie’, his commitment to the avant garde lifestyle has seen him grace decks at major clubs and festivals in the scene. He also released two albums and many singles on labels as diverse as Pokerflat, Dessous, Karmarouge, Dirtcrew, Octopus, Sci & tek, Defrag and Einmaleins, labels well know by us on the minimal land.

Sian really intends to prove something on his fourth release for Aus. Red Cloud is sublimaly delicate and still relies on powerful oscillator bass lines with wistful chords providing a rich melodic pattern with a constantly “haunted” backdrop foaus-0918-box-ad-1000x1000r its addictive undulating grooves.

For World Within A World, the first track, Sian steps up in a recognizable, yet still new territory, providing oscillated basslines and the lead melody that breaks at the first minute with a polished techno rhythm and drones that propel the track forward to provide a moment of euphoria, in part thanks to the drive sound working on the back with several influence on Detroit techno school. In the second track, Red Cloud, things go more in a derailed sensation even if the feeling transmited is more quietful and harmonic , but the drive, the push-forward addictive one, its still there. The remix is managed by a Minilogue more experiment orientated. Still sounds Minilogue, however, haves more a sense of start/growing than the usual as well as some fresh rythm patterns and details that reveals us a little derivation maintaining the basic “Minilogue engine” on its backwards, full and worked. A captivating 12 min arrangement. The gradual and constant changing of few elements builds and releases tension perfectly while the subtle detail in the rythm and the electronic melody combined with oscillation grooves acts to unsettle yet engage.

Minimaland Feedback: Really shakes but’s not an earthquake

a1 – World Within A World (short version)

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a2 – Red Cloud

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b – Red Cloud (Minilogue Remix)

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World Within A World (Long Version)

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Release date:23.03.09 | Catalog: AUS0918

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Lee Jones – Electronic Frank


ggLee Jones is probably one of the artists most followed here in the minimaland in the last months. With so many things appearing on the scene everyday, it’s just our excuse to Lee and trying to explain why we didn’t realised before his genius! Is a truly musician, and even if we noticed that My My had great releases in the past, and we posted it in our old blog, Lee Jones reveals now as one of the major keys to My My’s trio (Carsten Klemann, Lee Jones, Nick Höppner) magnificent productions. We’ve heard and thinked “This guy has the gift”, cause he shows so many personalities in music, great production patterns and haves the power to metamorphose. Definitely a great attention to details, unexpected sounds in fitted patterns, positive vibes and well worked rhythms mark the huge passion that Lee can pass in his tracks to the listener.
This Album, released on Aus Music, it’s a demonstration of his roots and his influences since he started his career as a musician in different music records. Every music here haves a personality and a harmony as itself. You can say an artist haves it’s own fingerprint producing, and Lee, for sure haves it, but the way he can mould the musics in such different ways and patterns confuses even the best ear. One thing is certain, they have an individual character.
Because I don’t wanna get lost describing the Album, here are the release notes:

1323074449_m“Lee Jones lived in London until 2002, where he was producing and remixing as the successful downtempo/ nu-jazz artist Hefner. After following his heart to Berlin, he was inspired by the music and clubs to move into a new production style over the past 6 years. Most recently he’s become known as the main creative force behind MyMy, whose debut album ‘Songs For The Gentle’ on Playhouse made waves across the globe. Since 2007 he’s released his beautiful solo works on Aus Music and Just, whilst also collaborating with Berlin local hero Daniel Dreier on releases for Upon You and releasing new MyMy material on Berlin’s illustrious Ostgut Ton imprint. Having recently returned from the US and Japan performing live dates with Nick Höppner as MyMy, he also has a busy DJing schedule around Europe and continues to promote the popular monthly clubnight at Watergate ‘MyMy and friends..’. His debut solo album ‘Electronic Frank’ nearly never was after his apartment was burgled the week of mastering, but happily its been rescued and will be accompanied by two 12”s featuring remixes from Stimming and The Mole.

‘Electronic Frank’ is full of surprising and heart warming moments that open out unexpectedly from richly textured grooves. Every Click Matters – there’s no padding in Lee’s music. He pulls melody and harmony from the most abstract places and spaces, yet makes them work together like few producers can. His wistful melodies combined with his spacious programming allows you to drift off into your own thoughts, yet the detail in the sound design can snap you back to reality in a second.

The first half of the album is a lush, rich intricate tapestry. Quirky and playful. Inviting and detailed. Full of real instrumentation and uplifting, yet introspective and often melancholic melody. The pace is gentle, the vibe relaxed. Individually sung words and vocal snippets lend a human touch and when layered with an imaginary orchestra full of opulent harps, sweeping strings, delicate pianos, bouncy accordion’s and all manor of weird and wonderful instruments it creates a dramatic effect.

leejonesmymyFrom ‘Roadwork’ onwards the intensity increases giving us an insight as to why Lee’s MyMy alias works so well in a club context. On ‘Roadwork’ and ‘The Secret’ the groove is stripped back giving the melodies a feeling of space and power. The mood darkens with the sinister guitar licks of ‘Shoe Shine’ before the intensity dial is cranked up fully with ‘Every Click Matters’, which sounds like Timbaland might if he’d hung out in Berlin for the last 5 years with fabulous fruits in fancy dress……’It Is Isn’t It’ and ‘Safari’ are drawn from equally freakish sound pallets – trumpets (real and of the Elephant variety), flutes, timpani, insect sounds, bird calls and the list goes on. They are percussively explosive, rhythmically beguiling, full of surprises and packed with sounds and influences that on paper shouldn’t work but in practice do. Brilliantly. The climax of the album is ‘MDMazing’ and we think the title says it all. Don’t take it too seriously, it’s supposed to make you smile.”

Making my own perspective in this album, I must say that reminds me a lot the Peter Kruder & Richard Dorfmeister productions. Not in the style of music, but because this is one of the few albums that always feels fresh when you listen it… And, well, I’ve been listening to Lee’s Album since a couple of weeks, and everyday I simply cannot resist to put it again. This album is pure and simply to delight our senses and free our mind… It’s incredible the harmony that transmits to the listener, and probably, in exception of the last three tracks that are a little bit more “moved”, the registry maintains pretty much the same. Who is expecting something to share clubbing around, could be disappointed. In this record I really imagine feeling it in a beach, closing a party and the sun rising on a gorgeous horizon! Really happiness and good vibe tracks. Who can really understand and open the senses to this album, and Lee’s productions, understand why I’ll say that this is gentleman’s music… How it feels? Well… Feels happy, feels fresh, feels Lee :)

Tracklisting:

01 Beginn
02 Theme for Frank
03 Soon
04 White Rabbit
05 Fun Runner
06 Honey & Ginger
07 Kinder Country
08 Roadwork
09 Shoe Shine
10 The Secret
11 Every Click Matters
12 It Is Isn’t It
13 Safari
14 MDMAzing

#Catalog: AUSCD02
Rls Date: 29.09.2008

Listen to the entire album HERE!

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